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To transmit Hellschreiber signals via a radio transmitter, there are basically three options for interfacing the Hellschreiber to a transmitter:
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Directly key a CW transmitter with the contacts of the character-drum (or the Morse key of the Hellschreiber keyboard):
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Connect the 900 Hz tone that is keyed by the character-drum, to the microphone input of an AM or SSB transmitter:
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Connect the keyed 900 Hz tone to the key jack of a CW transmitter via a keying-circuit. The keying-circuit recovers the original binary (DC) pulses by rectifying and filtering the tone pulses. The recovered pulses are passed to a keying tube (or transistor), the output of which is connected to the keying input of a CW transmitter.
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Note that if the12-pin round plug is used, a contact behind the connector is opened. This interrupts the path of the keyed 900 Hz tone such that it is no longer coupled to the "Leitung" ("line") I/O transformer. Also, own-text is no longer printed during transmission, unless the side-tone of the CW transmission is fed back to the "Empfänger" ("receiver") or "Leitung" input of the Hellschreiber.
Most modern transceivers only require (and can handle) a small signal at the microphone input - in the 10 millivolt range. Typically an appropriate voltage divider (e.g., a potentiometer) must be installed between the Hellschreiber output and the microphone input.
To print signals from a radio receiver, simply connect the audio output (loudspeaker, headset, line) of the receiver to the Empfänger (receiver) input of the Hellschreiber. Note that the Empfänger input has an impedance of 4000 Ω at 900 Hz; if the audio output of the receiver has a low impedance (e.g., 8 Ω), it may me a good idea to use an audio transformer (even 8 Ω : 1 kΩ should be fine).
Note that all AF interfaces (line I/O, phone jack, monitoring) of the Hellschreiber are transformer-coupled, and the keying contacts (character drum, telegraphy key) are completely isolated from the Hellschreiber's electronic circuitry. So there is no need to add additional galvanic isolation (e.g., transformer- or opto-isolators) between the Hellschreiber and a transceiver (unlike when hooking up a PC to your transceiver!).
The diagrams below illustrate the interface options outlined above.

Interface for keying a CW transmitter

Keyed-tone from line output to microphone input of transmitter with VOX
function

Keyed-tone from line output to microphone input of transmitter without
VOX function,
plus external VOX-detector with output to PTT input of the transmitter

Audio output from the receiver to the Empfänger (receiver) input of the
Hellschreiber
(note that the Empfänger input has
an impedance of 4000 Ω at 900 Hz)
Direct keying of a CW transmitter is no problem with
solid-state CW transmitters or tube transmitters with a solid-state keying
relay. However, older tube transmitters may have significant negative or
positive voltage at the key input connector. This depends on whether grid
(grid-block) keying, cathode keying, or anode keying is used. Key-down current
draw may also be significant. This may exceed the voltage, current and power
limits of the Hellschreiber's character drum and slip contacts. Rudolf Hell and
his co-workers (ref. 1, ref. 2) recommend such direct keying only for low power
tube transmitters. For medium power (up to 100 W) they describe a keying device
(a "Tastgerät") between the drum contacts and the transmitter's key
input. The circuit takes the continuous 900 Hz tone of the Hellschreiber
(available at the 12-pin round connector of the Feldfernschreiber), transforms
its 2 Vpp up to 400 Vpp, and uses a rectifier tube to rectify this continuous
tone. Ripple smoothing is done with a simple RC-filter. The resulting voltage is
passed through a large current-limiting resistor (1 MΩ) to the key input of a
grid-keyed transmitter. The Hellschreiber's drum contacts (also available at the
12-pin connector) are connected across that key input. They short the key input
when pixels are transmitted. Anode and filament heater power for the rectifier
tube is also available at the 12-pin connector. I have not (yet) been able to
determine if Hell or Siemens-Halske ever manufactured such keying devices.

Keying circuit for medium power CW
transmitter
(source: figure 13 in ref. 1,
figure 7 in ref. 2)
For high power transmitters, they suggest a keying circuit that uses the
keyed
900 Hz tone from the Hellschreiber, taken directly from the La-Lb/E phone line
connector of the Hellschreiber, or even from that connector to a remote
transmitter via phone lines. The keying circuit is similar to the one that is
used in the Hellschreiber itself for "keying" the electro-magnet solenoid of the
printer: a transformer coupled pre-amplifier, followed by a transformer-coupled
rectifier with RC-filter, and a keying tube.

Keying circuit for high power CW transmitter
(source: figure 14 in ref. 1)
As with CW, an electro-mechanical relay (EMR) could be used for keying the
transmitter. Hell recommended against this, based on reliability during long
term operation (1940). Note that 1 hour of full-time transmission = 60 x 60 x
2.5 = 9,000 characters. Assuming an average 10 distinct pixels per character,
this corresponds to 10 x 9000 = 90,000 switching cycles per hour. Modern EMR
typically have a life expectancy of 1,000,000 cycles. I.e., the equivalent of 11
hours of continuous Feld-Hell transmission. Reed relays may have up to 100x
longer life expectancy. Mercury-wetted reed-relays are an option, but not
exactly eco-friendly, and not usable below -39 deg (F and C) as the mercury
freezes, hi!
Peter (DC9XD) described a Hellschreiber-transceiver interface in the early days of amateur-Hell:
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"Bediengerät zum RTTY-Hell System", Peter Stolzenberg, DC9XD, QRV - Amateur Radio, Heft 2, January 1977, pp. 71-75 [in German; courtesy Gerard Wolthuis, PA3BCB]. |
Modern keying circuit designs use high-voltage/high-current MOSFETs. Designs are
available on the web and in kit form, see e.g. towards the end of ref. 3, and
references therein. The 2008/2009 ARRL Handbook for Radio Communications
also contains a Universal Keying Adapter design from NØXAS (schematic:
here).
REFERENCES:
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Ref. 1: section 9a and 9b in "Die Entwicklung des Hell-Schreibers" by the inventor himself: Rudolf Hell; pp. 2-11 in "Gerätentwicklungen aus den Jahren 1929-1939", Hell - Technische Mitteilungen der Firma Dr.-Ing. Rudolf Hell, Nr. 1, May 1940 [in German] |
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Ref. 2: section 4a in "Der Siemens-Hell-Feldschreiber", by Rudolf Hell's co-workers G. Ege and H. Promnitz, pp. 11-20 in "Gerätentwicklungen aus den Jahren 1929-1939", Hell - Technische Mitteilungen der Firma Dr.-Ing. Rudolf Hell, Nr. 1, May1940 [in German] |
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Ref. 3: "Understanding Soundcard Interfacing" by Ernie Mills, WM2U |
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Ref. 4: "Siemens-Hell-Schreiber", pp. 149-166 in “Fernmeldetechnik“, Band 9 of “Lehrbücher der Feinwerktechnik“, Fritz Schiweck, 1st ed., 1942, 526 pp., C. F. Winter'sche Verlagsbuchandlung |
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Ref. 5: "CW Demodulator" [a synchronous CW/Hell demodulator], Jan-Martin Nøding (LA8AK), Amatørradio 1987, February, Nr. 41, pp. 41-43, March, Nr. 42, pp. 66-69 |
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Ref. 6a: "Een CW-Hell interface", Klaas Robers, PAØKLS, Electron, 12/1980 |
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Ref. 6b: "Ein CW-Hell Interface", Helmut Liebich (DL1OY), RTTY - Informationsorgan d. DAFG e. V. u. d. Swiss-ARTG, Jg. 12, nr. 1, January 1981, pp. 5-8 [translation of ref. 6a,with PCB layout added] |
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Ref. 7: "CW Rig Keying Circuit for Hell", Mike Blake, K9JRI |
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Ref 8: p. 78 in "Receiver and Transmitter Development in Germany 1920-1945", Arthur Bauer, PAØAOB, IEE Int'l Conf. on 100 Years of Radio, London, September 1994 |
©2008-2009
F. Dörenberg. All rights reserved worldwide. No part of this publication may
be used without permission from the author.
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